In the Face of Demolition

An acknowledged masterpiece of Hong Kong cinema, In the Face of Demolition is an exemplary work of social realism, a defining formal practice of 1950s filmmaking. It is also a classic of the 'tenement film', a genre of often heart-wrenching human stories depicting the housing and employment conditions of the underclass. The film is a vivid portrait of communal living, fostering drama from the different shades of harmony and conflicts between the tenants. The famous line 'All for One, and One for All' is an embodiment of not only the ethical ideal of Union Film but also the humanist tradition of Hong Kong cinema and Chinese culture. The film, featuring an ensemble cast of big-name stars and experienced actors working in congruent chemistry, was a huge surprise hit, consolidating Union Film's market prominence and its reputation in history. And Bruce Lee, playing the son of an impoverished family, manages to blend in effortlessly with the seasoned veterans while also stealing the scenes without spoiling the harmony.

# Post-screening talk with Stephen Au & Sam Ho

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